Episode Trigger Warning: Suicide After a long break, we are back with our Director Series on Malayalam auteur Padmarajan. This one is on his 1986…
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This episode continues to explore how Raaja uses frameworks from western classical music – particularly harmony. We discuss the form and function of harmony and…
Leave a Comment(Balaji Vembu Chelli’s Tamil film The Tremor/Nilanadukkam had its India premiere at Arthouse Asia Film Festival in Kolkata last week. Here is Aditya Shrikrishna’s review)…
Leave a CommentOnce again, an early contender for one of the best films of the year comes from Malayalam cinema. The Great Indian Kitchen, written and directed…
Leave a CommentLong before JD and Bhavani of Lokesh Kanagaraj’s Master, there were Shiva and Bhavani (and a JD on the sidelines) in a college setting in…
2 CommentsHello and we are back with our final part in the Michael Madana Kama Rajan series. In this episode, we talk about form and technique,…
1 CommentAnd we are back with the part two of the series on Singeetam Srinivasa Rao’s Michael Madana Kama Rajan. In this episode we take a…
1 CommentOne never tires of watching or talking about this landmark film in Tamil Cinema starring four Kamal Haasans, Nagesh, Khushboo, Urvashi, Nassar, Roopini, SN Lakshmi,…
2 CommentsThis episode begins to pull back the curtain on how Raaja uses his training in Western Classical Music. What do the frameworks he learnt there…
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